- Requiem for a Pink Moon
- The Elfin Knight
- Fire - Passion in English Lute Song
- Thomas Campion: Author of Poetry and Song
- Paris 1529 - Pierre Attaignant and the early French chanson
- Paris 1600 - Source d'Amour
- Paris 1706--Au nom de l'amour
- Munich 1523 - Ludwig Senfl under Wilhelm IV.
- Oswald von Wolkenstein: Reflexionen - Reflections
- Fürchtet euch nicht!
Rose of Sharon
American “early” music from the 18th and 19th centuries: the program takes its name from the passage from the Song of Solomon which was set by William Billings in his 1778 book, “The Singing Master’s Assistant.”
Billings, widely considered to be the “father of American choral music”, dedicated himself to the betterment of the level of singing in the United States. Singing Schools spread all over New England and played an important role in the development of an independent music tradition in America.Hundreds of songs from the pen of Jeremiah Ingalls, Daniel Read and William Walker which were written in the early 19th century were published in the wonderful collections “The Sacred Harp” and “Southern Harmony”. The music sounds archaic, often with the melody in the tenor voice, and they are notated in Shape Notes—a popular method used to learn sight-singing. The texts are personally interpreted bible stories.Some songs of the Shakers and spirituals round out the program such as “Simple Gifts” presented with the same simplicity that has brought Shaker furniture such renown: a Capella and without ornament.
Joel Frederiksen – bass, guitar and musical direction
Michaela Riener / Theresa Dlouhy – soprano
Kamila Mazalová / Witte-Maria Weber – Alt
Timothy Leigh Evans – tenor
Karen Walthinsen – violin
Andreas Haas – flute
Axel Wolf – guitar
Domen Marincic – cello